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Dr. Raúl R. Romero Dr. Romero is the Director of the Institute of Ethnomusicology at the Pontifical Catholic University of Perú. He received a Ph.D. degree in Musicology from Harvard University, and obtained a Bachelor´s degree in Sociology at the Catholic University of Peru. He is author of several publications on the topic of Andean music and culture. Dr. Romero is also the editor of the eight-volume CD series “Traditional music of Peru” released by the Smithsonian Institution between 1995 and 2001. He has been a recipient of the Endangered Archives Programme Award by the British Library and of a Guggenheim Fellowship. Dr. Romero has been Visiting Professor in the Department of Ethnomusicology at the University of California, Los Angeles and a NEH Visiting Professor in the Native American Studies Program at Colgate University (New York). Recent Publications: Books 2007 2005 2004 2002 2001 1998 Andinos y Tropicales: la cumbia peruana en la ciudad global. Lima: Pontificia Universidad Catolica del Peru. ¿Cultura y Desarrollo? ¿Desarrollo y Cultura? Propuestas para un debate abierto. Lima: UNESCO / PNUD. Identidades Múltiples: Memoria, Modernidad y Cultura Popular en el Valle del Mantaro. Lima: Fondo Editorial del Congreso del Peru. Sonidos Andinos: Una Antología de la Música Campesina en el Perú. Lima: Pontificia Universidad Catolica del Peru. Debating the Past: Music, Memory and Identity in the Andes. New York: Oxford University Press. Música, Danzas y Máscaras en los Andes. Raul R. Romero, ed. Lima: Pontificia Universidad Catolica del Peru [first edition 1993]. Articles in Books and Journals 2007 “Tragedias y celebraciones. Imaginando academias locales y foráneas”. In Saberes Periféricos: ensayos sobre la antropología en América Latina, Carlos Iván Degregori y Pablo Sandoval, Eds. Lima: Instituto de Estudios Peruanos- Instituto Francés de Estudios Andinos. 2004 2003 2002 2002 2001 2001 1999 1999 1999 1998 1998 “Música Popular.” In Enciclopedia Temática del Peru, Vol. XVI. Lima: Orbis Ventures, Pp. 57-80. “Nacionalismos y anti-indigenismos: Rodolfo Holzmann y su aporte a una música peruana.” Hueso Húmero 43: 77-98. “Popular Music and the Global City: Huayno, Chicha and Technocumbia in Lima.” In Tejano to Tango: Essays in Latin American Popular Music, Walter Clark, ed. New York: Routledge. “Arguedas y la Autenticidad del Canto Indio.” Hueso Húmero 40:122126. “Tragedies and Celebrations: Imagining Foreign and Local Scholarships.” Latin American Music Review. 22(1): 48-62. “Modernidad, autenticidad y prácticas culturales en la sierra central del Perú.” In Identidades Representadas: performance, experiencia y memoria en los Andes. Lima: Pontificia Universidad Catolica del Peru. "Andean Peru." In Music in Latin American Culture: Regional Traditions, John Schechter, editor. New York: Schirmer Books. "Aesthetics of Sound and Listening in the Andes: The Mantaro valley in Central Peru". World of Music 41(1) :53-58 "De-esencializando al Mestizo Andino". In Globalización y Cultura, Gonzalo Portocarrero and Carlos Iván Degregori, eds. Lima: Red Peruana de Ciencias Sociales (PUCP-IEP-UP). "Peru". In Garland Encyclopedia of World Music: South America, Mexico, Central America and the Caribbean, Dale Olsen and Daniel Sheehy, eds. New York: Garland Publishing. "Peru". In Die Musik in Geschichte und Gegenwart (MGG). Kassel: Barenreiter-Verlag.